Metropolis (1927, der klassiker)
It is the future, and humans are divided into two groups: the thinkers, who make plans (but don't know how anything works), and the workers, who achieve goals (but don't have the vision). Completely separate, neither group is complete, but together they make a whole. One man from the "thinkers" dares visit the underground where the workers toil, and is astonished by what he sees...
Eraserhead (Ön eddig semmit nem tudott a nyomasztásról. Nézze meg a filmet és veszítse el az mindörökkön-örökké az életkedvét, halleluja),
Henry Spencer tries to survive his industrial environment, his angry girlfriend, and the unbearable screams of his newly born mutant child.
Waking Life (vakargassa az élet nagy kérdéseit)
A man shuffles through a dream meeting various people and discussing the meanings and purposes of the universe.
La jetee (III. világháború, a Nagy Nemzet önbelezése)
In a devastated Paris in the aftermath of WWIII, The few surviving humans begin researching time travel, hoping to send someone back to the pre-war world for food, supplies and maybe a solution to their dire position. One man is haunted by a vague childhood memory that will prove fateful.
Tetsuo, the Iron Man (japán, engl. sub, a japcsik már megint túladagolták a filatéliát),
A strange man known only as the "metal fetishist", who seems to have an insane compulsion to stick scrap metal into his body, is hit and possibly killed by a Japanese "salaryman", out for a drive with his girlfriend. The salaryman then notices that he is being slowly overtaken by some kind of disease that is turning his body into scrap metal, and that his nemesis is not in fact dead but is somehow masterminding and guiding his rage and frustration-fueled transformation.
Lost in La Mancha (the making of)
In August 2000, master filmmaker Terry Gilliam finally got his oppurtunity to create his dream film he laboured for a decade, The Man Who Killed Don Quixote. Assembling his film crew, he prepares his production in what promises to be the biggest budgeted feature film using only European financing, although it is meagre compared to Hollywood standards. However for all his creativity and enthusiasm, the film is immediately plagued with an improbable series of disasters ranging from scheduling conflicts, budget cuts, studio and location problems and worse that threaten to doom the film.
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